Author Archives: Gary W. Olson

Scheming into 2011 (Part Deux)

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Back in January 2011, I posted this blog entry on my plans for the first half of 2011. They were, in summary:

– Submit Brutal Light to another publisher
– Submit True Places to another publisher
– Submit Onyx Fire to a publisher
– Outline my next novel (either Minions or the sequel to Brutal Light) and get started on writing it
– Write a new short story
– Rework an old short story into saleable form
– Submit my short story Fabulous Beasts to a publisher
– Worldbuild for an as-yet-unnamed dark fantasy/sf environment

Now that six months has passed, I thought I’d revisit this and see how I did. First and foremost, of course, I did submit Brutal Light to another publisher, and they accepted it for publication. This of course made my brain spin, and threw me onto a new track altogether for writing plans. (Well, that and some personal circumstances that have nothing to do with this.)

While I did manage to submit Onyx Fire to a publisher, I never got around to sending True Places anywhere. In fact, I’ve decided to shelve True Places entirely for the time being. There’s just too much I’m dissatisfied with in it, beginning with how it’s about a third longer than it needs to be. One of these days I’ll take it off the rack and retool it, but not now.

I have started outlining the sequel to Brutal Light (tentatively titled Starless Midnight), much as I said I would. I started the ‘new short story’ indicated above, but have not yet gotten far with it, and I’ve neither retooled the old short story, nor have I submitted Fabulous Beasts anywhere.

Why not? Well, aside from my personal circumstances and being thrown for a happy loop by having Brutal Light accepted for publication, I’ve been at work learning the business end of writing. I’ve expanded and polished the material on this website. I’ve taken a seminar on self-promotion for writers (the publisher does some, but other bits fall to me) and outlined some rough plans for what to do as publication day (12/1/11) approaches. I’ve expanded my contacts on the various social media platforms (and yes, I’m gonna be on Google Ploosh, very soon now). I’ve cut or modified some things I had going on that threatened to compete with what precious time I have available to write. In short, I’ve been at work re-orienting my head from being a writer hoping to get his book published the first time to a writer aiming to get published again and again.

That said, I’m ready to list some tentative goals for the second half of 2011:

– Editing Brutal Light into its final form for publication–once I have an editor assigned to my book, this will be my top priority until it’s done
– Finish outlining Starless Midnight, then write and write and write and write…
– Finish two new short stories – one the story I started back in January, the other a new one for a recently announced anthology
– Submit Onyx Fire to another publisher (should the one that has it now reject it)
– Continue networking and making publicity plans for Brutal Light, and then following through on those plans (something that will take more of my time as December approaches)

I’m looking forward to an amazing (and hectic) second half of the year!

Kathryn Meyer Griffith: The Story of Vampire Blood

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Kathryn Meyer GriffithThe Story of Vampire Blood
Author’s Revised Edition by Kathryn Meyer Griffith
A rerelease of my 1991 Zebra paperback romantic vampire novel on July 1, 2011

In 1990 or so I’d just got done releasing my first three paperback novels with Leisure Books, a romantic historical (The Heart of the Rose 1985) and two romantic horror books (Evil Stalks the Night, 1984 and Blood Forge, 1989), and because I wasn’t making much money on them, was looking, as most so-called restless young authors were doing, to move up in the publishing industry.

So I wrote snail mail letters to three established authors of the day – Dean Koontz, Stephen King and Peter Straub – asking for a little advice and a little help. What do I do next? I want to be one of the big dogs running in the big races. I want to make the big bucks. Be famous like you. (Ha, ha. I was so naïve in those days!)

Well, Stephen King and Peter Straub never answered my letters but one rainy fall night I got a phone call from Gerda Koontz (Dean Koontz’s wife) and she said Dean had gotten my letter and wanted me to have a name of a brand new agent who I should call or write to and say I was recommended by him. If I thought it strange that Dean Koontz himself wasn’t actually talking to me I was told by Gerda that he was a shy man and had had a particularly hard couple of months because of family problems (I think it had something to do with his father in a nursing home or something, but can’t exactly recall now) and he’d asked her to call me. She often did that for him, as well as helping him with the business side of his writing career. He (through her… and I got the impression that he was actually nearby telling her what to say the whole time) said I had to have an agent (I didn’t have one) and then he gave me the name of an ambitious one, Lori Perkins, just starting out and his advice on what I should do to advance as a writer.

I do remember being incredibly touched that he, a famous busy novelist that I admired – I loved his Twilight Eyes – would take the time to talk to me, even through his wife. They were both so sweet and we talked for nearly an hour all about writing, books and everything.

I took their advice and contacted that agent and she agreed immediately to represent me on my fourth book, Vampire Blood, no doubt, because I said Dean Koontz had recommended her to me. Name dropper! But Vampire Blood was the reason I’d contacted those famous authors in the first place. I thought it was the best book I’d done so far and wanted it to go to (what I thought at the time) would be a better publisher than Leisure Books, which contracted and hog-tied their writers with a horrible ‘potboiler’ one-size-fits-all ten year contract with low advances and 4% royalties. Yes, I got a whole whopping 14 cents a book in those days, but, I must confess, they did print thousands of paperbacks each run and had a huge distribution area. I thought I could do a lot better. Anyway, Lori Perkins wanted me to send her the book and she did like it and eventually sold it, and then three others zip-zip-zip right after, to Zebra Books (now known more as Kensington Publishing) at 6% royalties and double the advances I was used to getting. They slapped a sexy blond vampire with a low dress on the cover and a hazy theater behind her. Lovely colors. I thought it was an eye-catching cover. I was so happy. I thought I’d made it! Again, so naïve.

Vampire Blood Vampire Blood. A little story about a family of vicious killing vampires who settle in a small Florida town called Summer Haven and end up buying and fixing up an old theater palace to run, and pluck their victims from, and a divorced, down-on-her-luck ex-novelist and her hard luck father, who along with friends, help thwart them.

Now to how and why I wrote it.

My husband and I lived in this small Illinois town, Cahokia, at the time and there was the neatest little hole-in-the-wall theater in a nearby shopping center we used to go to all the time… run by a family of a sweet man, Terry, and his wife, Ann, and sometimes their three children, two teenage boys and a girl named Irene. Such a friendly, but odd couple. The run-down theater was their whole world it seemed. The kids helped take in the tickets, pop the popcorn and sell the candy snacks.

Now the minute Terry and Ann found out, in one of our earliest conversations, that I was a published novelist they were my greatest fans. Terry went right out and bought all three of my books and they all read them. Terry always thought they’d make great movies. Next time my husband and I went to the little theater Terry and Ann greeted us like old friends, so delighted to see us, and refused to take a dime from us for anything. We got in free whenever we went from then on. Now in those days my husband, my son, James, and I were pretty broke. I worked as a graphic designer at a big brokerage firm in downtown St. Louis (across the Poplar Bridge from our Illinois town) but my husband was in between jobs. We lived on a shoestring. Hard times. So I always was so tickled that we could get into the local movies for free. We went a lot, too, as we loved movies, especially science fiction and horror films.

One night I was watching Terry and Ann and their joy in running that little theater, with the kids bustling around doing their jobs, and I got the idea for Vampire Blood. Just like that! Use them and the theater as a backdrop for a vampire novel. Hey, wouldn’t it be neat, I off-handedly mentioned to Terry one night, if I wrote a book about a family of vampires that was trying to pass as a real human family, the man and woman wanting so badly to fit in and lead a normal life for a while, renovating and then running a theater together… but the kids are wild and, as kids always do, make trouble for them in the town… killing people? Terry loved the idea and I asked him if it’d be all right to use him and his family as a template for the vampires. He was thrilled to be part of anything to do with my books and said yes. So… I wrote this book about them (sort of), the theater (making it much grander than it was, of course), a small town terrorized by cruel, powerful vampires who can change into wolves at will… and a saddened lonely woman, her brother, and her ex-husband (who she still loves and ultimately ends up with again after he saves her life) who finds herself again, but loses a lot, as well, fighting these vampires. Vampires she doesn’t believe in at first.

I was very happy with the book when it was done and dedicated it to Terry and Ann when it came out in 1991. Terry and Ann were thrilled, too.

So Vampire Blood came out and did very well for me, second only to my Zebra 1993 Witches. As the years went by it went out of print and when, twenty years later, a new publisher contracted my 13th and 14th novels, BEFORE THE END: A Time of Demons and The Woman in Crimson, she asked if I’d like to rerelease (with new covers and rewritten, of course) my 7 out-of-print Leisure and Zebra paperbacks – and I said a resounding yes!

For this new version, cover artist Dawne Dominique made me an astonishingly intriguing cover of a lovely vampire (Irene the youngest vampire who turns out to be the most brutal and ancient in the end)… but, thank goodness, without the low sexy top. And my DB editor, April Duncan, helped me make it a better novel.

A lot has happened to me and my family in these twenty years, as well. Both my parents, and my beloved maternal grandmother, the storyteller of her generation, have since passed away. Many people we used to know have. Old boyfriends, old friends and relatives. I miss them all! I no longer have that agent; she went on to bigger advances and bigger writers. I lost my good job at the brokerage firm, bumped around in lesser jobs for years, always writing in my spare time, and now, at long last, write full time while my husband works way too hard in a machine shop to support us.

Rewriting the book brought back so many good memories… and tears over those no longer here. The theater closed sixteen years ago, the owner believing it’d served its purpose and used up its time. Terry and Ann, heartbroken, were never the same. They had other jobs, none they truly cared about. Ann is still with us, but Terry died a few years ago, I heard from someone. We lost contact once they stopped running the theater and we moved from Cahokia to a nicer town miles away.

But I’ll never forget those early days and the stories that came with them. Days of high hopes and far distance future dreams… some of which have come true and some which haven’t. I’ve never made the big bucks, never gotten truly famous, but now, at long last and to my great delight, all twelve of my older books, from Leisure, Zebra, and The Wild Rose Press are being rewritten and reissued between June 2010 and July 2012. Better than ever after I’d rewritten them. I have plans to write more books and short stories, too, when they’re done. Most importantly, I’m living a good life with a husband I adore and brothers and sisters I love. Writing the stories I was born to write and happy I am. I have my memories. All in all, I’m a lucky, lucky woman.

So, all you writers out there… never give up and never stop writing!

Thank you!

***

Kathryn Meyer Griffith has been writing for nearly forty years and has published 14 novels and 7 short stories since 1984 with Zebra Books, Leisure Books, Avalon Books, and The Wild Rose Press in the horror, romantic paranormal, suspense and murder mystery genres… and all 12 of her old books, see below, (and two new ones) are being brought out again between June 2010 and July 2012 in print – and all in e-books for the first time ever! Learn more about her at www.myspace.com/kathrynmeyergriffith or www.bebo.com/kathrynmeyerG or www.authorsden.com/kathrynmeyergriffith or www.facebook.com/#!/profile.php?id=1019954486.

***

Here’s a list of all my published novels and short stories:
Evil Stalks the Night (Leisure,1984; July 2012)
The Heart of the Rose (Leisure,1985)
Blood Forge (Leisure,1989; February 2012)
Vampire Blood (Zebra, 1991; July 2011)
The Last Vampire (Zebra, 1992; October 2010)
Witches (Zebra, 1993; April 2011)
The Nameless One (short story in 1993 Zebra Anthology Dark Seductions; February 2011)
The Calling (Zebra, 1994; October 2011)
Scraps of Paper (Avalon Books Murder Mystery, 2003)
All Things Slip Away (Avalon Books Murder Mystery, 2006)
Egyptian Heart (The Wild Rose Press, 2007…out again in August 2011)
Winter’s Journey (The Wild Rose Press, 2008…out again in September 2011)
The Ice Bridge (The Wild Rose Press, 2008…out again in November 2011)
Don’t Look Back short story (2008…out again in 2011)
In This House (short story 2008…out again in 2011)
BEFORE THE END: A Time of Demons (2010)
The Woman in Crimson (2010)

30 Days of Writing #29-30: Think About Writing? Tag Writer You Like?

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29) How often do you think about writing? Ever come across something IRL that reminds you of your story/characters?

It comes up fairly often, as in several times a day. I could be thinking about details of a particular character either on the way to or coming back from my day job. I could think of a plot twist during a meeting. I could be trying to get to sleep when I start thinking of a setting, only to not be able to get to sleep because I want to think about it some more. It just keeps coming.

As far as In-Real-Life reminders of my writing… I want to say yes, because I’m sure it’s happened before, but I can’t summon any specifics right now.

(You know what? This ’30 Days’ thing is almost over, so I’m just gonna answer the last thing so I can move on to something different in this blog.)

30) Final question! Tag someone! And tell us what you like about that person as a writer and/or about one of his/her characters!

Right. Imma taggin’ Eric Burns-White, who some of you may know as the guy behind Websnark. I first met Eric through our mutual Superguy connections, and as we both wrote for that list, I came to be more and more impressed with his storytelling skills, the clarity of his prose, and the depth of his characters. (Even moreso on rereading that material, ten years or so later–it stands up extremely well.) The projects he worked on after moving on from Superguy showed his tremendous worldbuilding ability–when I earlier, in answer to another question, admitted I needed to work on that aspect of my work, I was thinking of Eric’s skill at this as the thing to aspire to. He makes it look easy, even though we both know it ain’t!

(This ends the 30 Days of Writing. Please tip your waitress on the way out.)

Now with less ‘e’

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Because I apparently can’t be spread too thin on the internuts, I am now on Tumblr. I’ve located one person who I know uses Tumblr, but as Tumblr’s search options are confounding and limited, I know not who else of you out there makes use of it. So please consider this an invitation to follow me there, if you’ve got a Tumblr account.

30 Days of Writing #28: Written a Character with Disabilities?

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28) Have you ever written a character with physical or mental disabilities? Describe them, and if there’s nothing major to speak of, tell us a few smaller ones.

One of my characters in Brutal Light, Lia Mardalos, is physically blind. She is, however, able to get around due to her advanced precognitive abilities, which in viewing short-term possible future paths let her see what is before her (and in the long-term, where she needs to go and what she needs to do to achieve her aims). She’s entirely viewed by others during the course of the novel, so her internal thoughts and ways of relating to the world are, as of now, unrevealed. This may change with my next book, tentatively titled Starless Midnight.