Brutal Light pre-release trailer 2.0, Free Short Story, and Food for Thought

Here’s what I’m calling the ‘2.0’ version of the ‘pre-release’ of my book trailer for Brutal Light. ‘Pre-release’ because it contains an enticement for signing up for my e-mail newsletter that expires on 12/1; ‘2.0’ because I’ve incorporated Dawne Dominique‘s great cover art.

(Edit 12/1/2011 — I’ve replaced this with the ‘final’ trailer version, which no longer contains the newsletter enticement.)

The ‘enticement’ is that I will be drawing from the list of those signed up for the newsletter by 12/1 for the following: 1 person will win a signed trade paperback copy of my book Brutal Light, plus an electronic copy in PDF format. 2 second place finishers will get electronic copies in PDF format.

Additionally, anyone who subscribes to the newsletter will get a download link for a PDF copy of The Body in Motion, one of my early ‘science fiction horror’ short stories (revised and hopefully improved). I do caution in the link that it is violent and bloody, and contains mature subject matter (though not presented in excessively graphic form). The only thing I really remember about its genesis was that it was written in the weird, fiery state I was in for maybe a day after reading Harlan Ellison’s Deathbird Stories for the first time, and that the first draft was done in a day, which virtually never happens with me.

And if you don’t like it… hey, that’s okay. Just stay subscribed, as I’ll be making other stories (and other kinds of stories) the ‘free’ enticement in its place as the months and years roll on.

One other note, on another topic: I’ve made it so you no longer need to be registered to this website in order to comment on blog entries. Just enter your name (real or pseudonymous) in the top bar (and the bar below it), then your comment, then the CAPTCHA. At this point, I’d rather make it easier for the casual visitor to drop in and say something, and just take the increased risk of being spammed.

One still another note: while browsing through the site of Bryan Thomas Schmidt, whom I befriended (in the old, pre-Facebook sense of the term) at ConClave, I found the second half of a dialogue between him and another author (Anthony Cardno, whom I have not yet met) that resonated with me. I’ll link to the first half of the dialogue, on Anthony’s site. I encourage everyone reading this to go there, think on what they are saying and how it reflects on your own life and conduct… it’s certainly given me much to reflect on as far as my own is concerned.

Two Writers in Dialogue: A Conservative Evangelical and a Gay Liberal

Back from ConClave!

I had a great time at ConClave over the weekend, participating in four panels, attending a few others, and in general chatting with old friends and new. I neglected to take much in the way of pictures this time around, so words shall have to suffice.

On Friday I was on two back-to-back panels — “The Death of an American Author” (a panel on the impact e-books and e-publishing has had and will have on readers, writers, and the industry) with Bryan Thomas Schmidt, Jim C. Hines and Doug Lugthart (a.k.a. L. Warren Douglas), and “Self-Promotion and Networking” (a fairly self-explanatory title) with Bryan Thomas Schmidt and Jim C. Hines. They were the first panels I’d done in fourteen years (since the one panel I did at a con in Virginia in support of the late, lamented Mythic Heroes project of the 90’s, which has nothing to do with the current RPG game of the same name), and happily, thanks to both my preparation before the panels and the welcoming atmosphere created by my co-panelists, I managed to speak up fairly regularly, and managed to sound, much of the time, like my train of thought had actually finished boarding at the station before I let it depart. (This will startle people who know me as either being quiet or as someone who starts sentences with no idea where they’re going to end. There’s a reason I gravitated to being a writer instead of a speaker.)

After that, I got to enjoy part of a wildly entertaining concert by Seanan McGuire, who, in addition to being a very prolific author (both under her own name and as Mira Grant, author of the Hugo-nominated ‘Feed’), is an amazing singer. Some chatting and wandering about rounded out the evening before I headed home (as I live reasonably close to Romulus–the Detroit metro area city, not the Romulan homeworld–I’d decided to skip getting a hotel room for this convention).

Saturday, ordinarly the prime day for any convention, turned out to be a bit truncated for me, as I had to leave mid-afternoon to attend the wedding of two friends. Still, I managed to take a couple spins around the Dealers’ Room, chatted again with Bryan Thomas Schmidt and his publisher (picking up his book, The Worker Prince, in the process), and chatted with more people in the ConSuite. I managed to return late in the evening to be in the audience for a panel on “Michigan’s Most Haunted” locations–of interest more to me as a writer than as a potential believer, but nonetheless fun. And that finished day two.

Sunday got me out early for a panel on “When Should a Series End?” (a panel on that magical time in any book series, movie series, or tv series, when it’s time for a graceful exit, and how it looks when that time goes by without such an exit) with Seanan McGuire, Emmy Jackson, and Jim C. Hines. It was the best attended of the panels I was on, likely because of Seanan’s presence–not just because she was the Guest of Honor, but because she’s a very fun and outgoing person, someone I’d love to listen to in any setting. I managed to get through this panel without actually saying ‘derp derp derp de derp,’ despite the dullness brought on by the truncated sleep I’d gotten. Between that panel and the next, I chatted with folks some, and took one more spin around the Dealer’s room. My last panel, “What Makes a Book Unreadable?” (the varying things that readers might consider to be ‘deal-breakers’ in their enjoyment of a story), with Charles P. Zaglanis and Emmy Jackson. Very sparsely attended, both because it was getting on in the afternoon, when many people had already left, and because we were up against Seanan’s book signing, but also fun, because it went from being a panel to a freewheeling discussion on anything and everything that annoyed us about different books we’d read or movies we’d seen. Once the panel was over, I had to depart right away (to assist with de-walnutting my in-laws’ back yard), so after buying a copy of Emmy Jackson’s book Empty Cradle: the Untimely Death of Corey Sanderson, depart I did.

(Note: Bryan Thomas Schmidt posted his con report earlier today, and it includes a picture of me with the other panelists from the “Death of the American Author” panel. The other panelists were chatting, while I, having noticed the camera, adopted a pose and smile that makes it look like I have a thought balloon with the word ‘derp’ in it–which makes it pretty average for my photos, I’m afraid.)

Behold! The cover art of Brutal Light!

Brutal Light Cover
(Click the image for the large version)

This incredible cover was done by artist Dawne Dominique. It’s my first ever book cover… very exciting!

While I’m here, I also now have my panel schedule for Conclave:

The Death of the American Author – Fri 6:30pm-8:00pm – Ballroom 5
Ebooks. Anyone with a computer can format a novel and sell it on Amazon for download. What does this mean for the future of books, for the future of publishing? Why should it matter? Do we need to redefine what constitutes of literature? And will the democratizing of publishing redefine what is what it means to be a writer and a reader?

Self-Promotion and Networking – Fri. 8:00pm-9:00pm – Ballroom 5
It’s not just about the promoting writing, it’s about promoting yourself, whether it’s in search of a new job, or keeping the one you have. What is your digital footprint? How can you clean it up? How can you get people to “like” you online? What are some do’s and don’ts for Twitter and Facebook? How can you build a circle of professional and personal contacts?

When Should a Series End? – Sun 10:00am-11:30am – Ballroom 5
With a new novel in the Harry Dresden series, and an ending of the Harry Potter and Twilight series, the question must be asked: is there some point where a writer needs to close the door and move on? Should Laurel K. Hamilton or Charlaine Harris bring their series to a close? Did Stephen King do one Dark Tower too many? Should 007 put away his Walther PPK and take a desk job?

What Makes A Book Unreadable? – Sun 2:00pm-3:30pm – Ballroom 5
Bad grammar? Bad characters? Bad ideas? Each person has their own ideas as to what constitutes acceptable fiction, but are there some deal-breakers? And do we hold different standards for books based on film or video-games, or other existing franchises? And should we? Should we be more demanding? Or are we programmed to feed at the corporate trough? Is bad literature a statement about our culture? Is it what we deserve?

Hope to see you there!

Brutal Light trailer is GO!

The trailer for my upcoming novel, Brutal Light, is now up! Feed your ravenous eyeballs with it!

For those of you who aren’t going to play this right this second… in addition to hopefully piquing some interest in my upcoming novel, this trailer announces that, if you subscribe to my newsletter between now and December 1st, you’ll get a chance to win a signed paperback edition of the book (plus a PDF edition) (with two runners up getting PDF copies).

In other news, it looks like I’ll be on panels at ConClave after all… I’ll post an update when I know dates and times.

Edit 10/6/2011: Updated the trailer link to pre-release version 2.0. Mostly the same as before, but now with the book cover art included!

Edit 12/1/2011: Updated the trailer link to final version, removing the newsletter enticement and updating other text.

Edit 1/3/2017: Updated the trailer link to the post-publicaton, pre-republication version, removing the old publisher citation.

Short Reviews: Bernie Mojzes’s The Evil Gazebo

The Evil Gazebo by Bernie Mojzes (with illustrations by Linda Saboe)

On a particularly dismal Thursday, two evil girls in an evil house by an evil lake are waiting for something–anything–to happen. Since nothing ever does happen in this evil environment, they are quite surprised when something does: a new thing arrives. It claims to be a boy, and it claims to be lost, but are they just to take it’s word for it?

Bernie Mojzes’s story could be called short–it’s less than 50 pages, including the illustrations–but I would call it exactly as long as it needs to be. There is a delicate balancing act going on, writing a fairy tale-type story dark enough to appeal to older fans of the macabre without being so dark as to lose the younger ones. The sly humor that leavens the story helps in this, without detracting from the subtly menacing atmosphere. Linda Saboe’s illustrations throughout the book add to this mix, blending strangeness and a touch of dark humor. I enjoyed my visit to this strange, dismal, evil land very much.

Kathryn Meyer Griffith: The Story of Egyptian Heart

Kathryn Meyer GriffithThe Story of Egyptian Heart
A backstory and other tidbits from an old writer’s life

Let me start with this: I have always loved ancient Egyptian stories since I was a child. I remember I wrote one of my first school papers at around eleven years old in pencil on the ancient Egyptians after dragging home an armful of musty smelling books from the library. I don’t recall exactly why I loved this particular time period and the people that lived in it but it might have had something to do with the movies The Ten Commandments (I was raised a Catholic), the horror mummy movies of the 1960’s and the early TV shows on Nefertiti and Cleopatra. I just had this affinity for the period.

It was February 1994 (I noted it on the outside of the manila folder where I keep a running book history on each novel) when I began Egyptian Heart. Originally I called it The Cursed Scarab. Later, I retitled it Egyptian Heart because I wanted it to more reflect the romance tale it had become.

I still had my agent, Lori Perkins, who’d sold four earlier novels for me to Zebra Books (Vampire Blood, 1991; The Last Vampire, 1992; Witches, 1993 and The Calling, 1994…after I’d sold my first three novels on my own to Leisure Books: Evil Stalks the Night, 1984: The Heart of the Rose, 1985; Blood Forge,1989) and she’d told me about a new romantic horror line that Silhouette was starting called the Shadows Line. They wanted to tap into the darker romantic paranormal market. Lori said they wanted the kind of story I wrote but with more romance. It was Silhouette after all. I’d been labeled as a horror writer from the get go, though all my novels blended genres; usually I wrote a romantic horror mixture with dashes of adventure, suspense and sometimes threw in a little history or mystery as well…but in those days the big publishers felt the need (and I think they still do) to squeeze a writer into one narrow slot. So I was a horror writer.

But by 1994 I’d lost my sweet editor at Zebra and a new one took her place…and over the next year he didn’t like anything I wrote for him and later that year Zebra unceremoniously dropped me and my latest book (Predator, a story about a dinosaur in Crater Lake…which never came out but still lingers like some weird ghost book in every computer on the global Internet) only six weeks away from going to the bookstore shelves. I’d begged the new editor not to call it Predator, bad title since there was a popular movie out of that name and it was nothing about a dinosaur, and the cover was awful, an empty boat on a lake…what!!! Having that book – my first ever – dumped like that was a crushing experience, let me tell you. I had a stack of finished, printed covers and had already done my final edits! I got to keep my advance but the book was officially dead. The new editor-that-didn’t-like-my-writing explained: “No one wants to read a book about a dinosaur.” And six months later Jurassic Park came out! The book

is still sitting in a drawer somewhere and perhaps one day I’ll resurrect and finish it as well).

At that point, my agent wanted me to branch out so I wrote two manuscripts for the Silhouette Shadows Line or tried to. Egyptian Heart and Shadow Road (a romantic suspense about a woman truck driver driving a dangerous wintry route with a murderer on her tail, and a hitchhiker in her cab that she feels she’s falling in love with…and fears, at times, he’s the killer; which later I retitled and sold as Winter’s Journey). To make a long story short, Silhouette Shadows turned both down. Seems I had too much horror in them; not enough sex. I didn’t follow the formula. Sheesh. I’ve never liked depending too much on sex in any of my books or writing a book too predictable. The originality of the novel and the characters make the story for me.

After that my agent dropped me. Ah, the life of a writer.

So, then life (as it has many times in my 39 year writing career), family and job problems, and my other novels (I was into murder mysteries for years and sold two to Avalon Books), got in the way and Egyptian Heart and Shadow Road went into drawer hibernation until, oh, about 2004, when I rediscovered them, dug them out, rewrote them and began trying to sell them again. Sometimes, I’ve found, a book left alone in a dark cubbyhole ages like good wine. (Or sometimes it just turns to vinegar.)

Fast forward three years to 2007 and a new e-book (e-books still being considered a risky new-fangled craze at that time!) publisher called The Wild Rose Press contracted both and eventually a third called The Ice Bridge, a ghostly romantic murder mystery set on Mackinac Island, and published them. Good publisher. They treated me well. But in 2010 when I contracted my two newest novels, Before the End: A Time of Demons and The Woman in Crimson (both romantic horror) my new publisher wanted to bring out all my old out-of-print novels again (going back to those early Leisure Books from the 1980’s) in print – and e-books for the first time ever. Seven old paperbacks. I’d rewrite them all, get new covers and they’d all live again. I was thrilled. And grateful. It would take a lot of work on both our parts but when we were done ALL my old novels would be in print again and in electronic form out in the world. I jumped right in.

Then when my two year contract (I was lucky, e-books still being new, it was only for two years; now most e-book publishers contract for five years or longer) ran out with The Wild Rose Press. I happily switched Egyptian Heart, Winter’s Journey, The Ice Bridge and a novella Don’t Look Back, Agnes to the new publisher. Realms of Fantasy Magazine had just been brought into the fold, as well.

So. Egyptian Heart has had a very long history. Simply put, it’s a time travel paranormal romance set in the ancient times of Nefertiti and her heretic Pharaoh Akhenaton. It’s more romance than history, though I did a lot of research in 1994… originally for my 1994 Zebra horror paperback The Calling. I thought: why waste all this hard worked for research on just one novel? So I also used it for Egyptian Heart and an erotic short story, The Nameless One, one that Zebra had placed in their 1994 horror anthology Dark Seductions and now it’s available.

Egyptian HeartThe new cover for Egyptian Heart by Dawne Dominique is amazingly beautiful. Thank you.

So from a child’s love of ancient Egypt to the finished book, it’s been a long journey and goes to show all you writer’s out there that, yes, persistence does sometimes win out. And a good book never dies. It just ages like wine in a dark drawer.

I hope you’ll give Egyptian Heart a look and a read. The best way to describe it is through its blurb and so here it is:

Maggie Owen is a beautiful, spirited Egyptologist, but lonely. Even being in Egypt on a grant from the college she teaches at to search for an undiscovered necropolis she’s certain lies below the sands beyond the pyramids of Gizah doesn’t give her the happiness she’d hoped it would.

There’s always been and is something missing. Love.

Then her workmen uncover Ramose Nakh-Min’s ancient tomb and an amulet from his sarcophagus hurls her back to 1340 B.C – where she falls hopelessly in love with the man she was destined to be with, noble Ramose, who faithfully serves the heretic Pharaoh Akhenaton and his queen Nefertiti.

She’s fallen into perilous times with civil war threatening Egypt. She’s been mistaken for one of Ramose’s runaway slaves and with her light hair, jinn green eyes and fair skin she doesn’t fit in. Some say she’s magical and evil. Ramose’s favorite, Makere, tries to kill her.

The people, angry the Pharaoh has set his Queen aside and forced them to worship one god are rising up against him.

Maggie’s caught dangerously in the middle.

In the end, desperately in love, will she find a way to stay alive and with Ramose in ancient Egypt–and to make a difference in his world and history?

Because Maggie has finally found love.

***

And thank you for having me on your blog! Kathryn Meyer Griffith

***

A word about Kathryn Meyer Griffith, August 2011…

Since childhood I’ve always been an artist and worked as a graphic designer in the corporate world and for newspapers for twenty-three years before I quit to write full time. I began writing novels at 21 and have had fourteen (nine romantic horror, one historical romance and two mysteries) previous novels published from Zebra Books, Leisure Books, Avalon Books, and The Wild Rose Press.

I’ve been married to Russell for thirty-three years; have a son, James, and two grandchildren, Joshua and Caitlyn, and I live in a small quaint town in Illinois called Columbia, which is right across the JB Bridge from St. Louis, Mo. We have two quirky cats, Sasha and Cleo, and the four of us live happily in an old house in the heart of town. Though I’ve been an artist, and a folk singer in my youth with my brother Jim, writing has always been my greatest passion, my butterfly stage, and I’ll probably write stories until the day I die.

***

Novels and short stories from Kathryn Meyer Griffith:
Evil Stalks the Night (Leisure, 1984; July 2012)
The Heart of the Rose (Leisure, 1985; Author’s Revised Edition out Nov.7, 2010)
Blood Forge (Leisure, 1989; Author’s Revised Edition out February 2012)
Vampire Blood (Zebra, 1991; Author’s Revised Edition out July 2011)
The Last Vampire (Zebra, 1992; Author’s Revised Edition out October 2010)
Witches (Zebra, 1993; Author’s Revised Edition out April 2011)
The Nameless One (short story in 1993 Zebra Anthology Dark Seductions; Author’s Revised Edition out February 2011)
The Calling (Zebra, 1994; Author’s Revised Edition out October 2011)
Scraps of Paper (Avalon Books Murder Mystery, 2003)